Quiet forms with a strong outline
Kiss of Silence was photographed in a minimalist studio, keeping attention on the garments rather than a scenic setting. Across 15 pieces, Eva Lendel names mermaid, sheath, A-line and modern ball-gown forms. The range therefore moves from close-fitting to fuller silhouettes, but holds a consistent interest in precise shape.
Luminous satin, tailored suit fabric and mikado give the collection its material range. Satin offers a smooth, reflective surface; suit fabric can bring a tailored feel; mikado lends itself to structured volume. The collection’s architectural character comes from the way those materials are cut and held, not from one fabric alone. A dress with a narrow sheath line and a ball gown with a broad skirt can share a similar clarity even though their profiles differ.
Choosing a proportion
A bride drawn to a sharply defined body line might begin with the mermaid or sheath designs. The A-line and ball gowns offer more space through the skirt. Looking at the waist, the placement of seams and the back view makes the difference clearer than the collection name itself.
Which silhouettes appear in Kiss of Silence?
The 15-piece range includes mermaid, sheath, A-line and ball-gown designs, each using a different balance of fit and volume.
Browse Venus for a softer lace-and-tulle direction, or Less Is More V for a more pronounced use of taffeta volume.